Rated #2 in the best albums of 1965, and #33 of all-time album.. Positively received on release, the album has since been described as one of Dylan's best works and among the greatest albums of all time, ranking No. Era a mesma estrada, cheia das mesmas contradições, as mesmas cidades de um cavalo, os mesmos antepassados espirituais ... era o meu lugar no universo, sempre senti que estava no meu sangue. A master take of "From a Buick 6" was recorded and later included on the final album, but most of the session was devoted to "Can You Please Crawl Out Your Window?" [73] A faixa-título foi regravada por artistas como PJ Harvey,[123] Karen O[124] e Billy Joel. Highway 61 Revisited é o sexto álbum de estúdio do cantor e compositor americano Bob Dylan, lançado pela Columbia Records em 30 de agosto de 1965. Highway 61 Revisited is the sixth studio album by American singer-songwriter Bob Dylan, released on August 30, 1965 by Columbia Records. [13] Quatro dias depois da apresentação, voltou ao estúdio de gravação. 0. [60] Outras faixas não editadas que foram liberadas oficialmente incluem tomadas alternativas de "Like a Rolling Stone" e "It Takes a Lot to Laugh, It Takes a Train to Cry", e uma canção inédita, "Sitting on a Barbed Wire Fence", em The Bootleg Series Volumes 1–3 (Rare & Unreleased) 1961–1991. Real Live (1985 - Live) BUY. 1. [c][56], O crítico Bill Janovitz, da AllMusic, descreveu "From a Buick 6" como um "blues estridente e rápido" que é tocado de forma "quase imprudente". '"[44] Polizzotti writes that the composition is notable for eschewing traditional themes of popular music, such as romance, and instead expresses resentment and a yearning for revenge. [106] "Este clássico seminal do folk rock" mostrou "a entrega vocal fervilhante de Dylan, não muito fora de controle e um ataque instrumental confuso", bem como a sua "transformação de um cantor folk para rock and roll", escreveu Sam Sutherland, da High Fidelity. From a Buick 6 iTUNES; 5. [29] "Tombstone Blues" e "It Takes a Lot to Laugh" foram incluídas no final do álbum, mas "Positively 4th Street" foi lançada somente numa versão single. 0. He's done something that's left the whole field ridiculously in the back of him. [57], In the British music press, initial reviews of Highway 61 expressed both bafflement and admiration for the record. No original: "Something is happening here/ But you don't know what it is/ Do you, Mr Jones? [60], "Ballad of a Thin Man" é conduzida por Dylan no piano, o que contrasta com "os riffs de órgão assustadores" tocados por Al Kooper. Highway 61 Revisited: Jam Along; Congrats on a WONDERFUL site!-Sue. [26] Quando voltou ao Studio A, em 29 de julho, contou com uma banda de apoio composta pelos mesmos músicos da sessão anterior, mas seu produtor tinha mudado de Wilson para Johnston. [122] "Just Like Tom Thumb's Blues" foi gravada por Linda Ronstadt, Nina Simone e Neil Young. I was very drained." [78] The song opens with a report that "they're selling postcards of the hanging", and adds "the circus is in town". From Newport to the Ancient Empty Street in L.A. [14] Four days after Newport, Dylan returned to the recording studio. [23] Kooper managed to sit in on the session; despite never having played electric organ before, Kooper improvised an organ riff that, critics such as Greil Marcus and Mark Polizzotti have argued, is a crucial element of the recording. View credits, reviews, tracks and shop for the 2005 CD release of "Highway 61 Revisited - Revisited" on Discogs. A maior parte foi dedicada a completar "Desolation Row". single on November 30, 1965. "[59], Polizzotti, num estudo sobre o álbum, escreveu que a faixa de abertura do lado B, "Queen Jane Approximately" está em uma veia semelhante a de "Like a Rolling Stone", mas a música oferece "um toque de simpatia e até mesmo conforto em vez da zombaria implacável". He named the album after the major American highway which connected his birthplace of Duluth, Minnesota, to southern cities famed for their musical heritage, including St. Louis, Memphis, New Orleans, and the Delta blues area of Mississippi. [13] On July 25, Dylan performed his controversial electric set at the Newport Folk Festival, where some of the crowd booed his performance. The Bootleg Series, Vol 7: No Direction Home (2005 - Original Release) BUY. [64] Gill calls this song "the least interesting track" on Highway 61, but praises the piano ascending the scale during the harmonica break as an evocation of "the stifling nature of an upper class existence". "[98] A seção de resenhas de LPs da Melody Maker, através de um crítico anônimo, comentou: "O sexto disco de Bob Dylan, como todos os outros, é bastante incompreensível, mas, no entanto, um nocaute absoluto. [43] Michael Gray caracterizou a música como "um amálgama caótico de blues, impressionismo, alegoria e uma franqueza intensa: 'Como se sente?'". [57] Gill points out that the lyrics reveal the singer's talent for borrowing from old blues numbers, adapting the lines "Don't the clouds look lonesome shining across the sea/ Don't my gal look good when she's coming after me" from "Solid Road" by bluesmen Brownie McGhee and Leroy Carr. [31], Em 30 de julho, o cantor e sua banda retornaram ao Studio A e gravaram três músicas. "[1] Na opinião do crítico do PopMatters, Hank Kalet, o álbum foi o disco de rock mais "eletrizante" de todos os tempos e "um dos poucos álbuns (incluindo Rubber Soul e Revolver dos Beatles) que deram aos roqueiros letrados luz verde para criar uma espécie de rock inteligente e investigativo que não existia antes". Dylan estava insatisfeito com os resultados e deixou a música de lado para uma data posterior; ela acabou sendo regravada com o The Hawks em outubro. The timings are for the stereo mix – the mono mix totals nearly 3 minutes less, with most of the difference accounted for by A3, B1 and B3. [62] Marqusee describes the song as one of "the purest songs of protest ever sung", as it looks at the media and its inability to understand both the singer and his work. Dylan takes the opportunity to lash out against others in "Like A Rolling Stone" and lash out against the wild fanfare and press that followed him around in his early years in "Ballad of A Thin Man". Highway 61 Revisited, Barcelona. Highway 61 Revisited Lyrics One, two, one two three four Oh God said to Abraham, "Kill me a son", Abe says, "Man, U must be puttin' me on" God say, "No." [129] "Just Like Tom Thumb's Blues" has been recorded by Judy Collins, Linda Ronstadt, Nina Simone and Neil Young. O álbum foi classificado na quarta posição na lista dos "500 melhores álbuns de todos os tempos" da revista Rolling Stone. Our project name serves as more than just a nod to one of Duluth's favorite artists to claim. Highway 61 Revisited (1965 - Original Release) BUY. 10: Another Self Portrait (1969–1971). "[3], When he was growing up in the 1950s, Highway 61 stretched from the Canada–US border in far northeast Minnesota (redesignated in 1991 as MN-61), through Duluth, near where Dylan was born in Hibbing, along the Mississippi River down to New Orleans. "[114] It maintained the rating in a 2012 revised list,[115] and was re-ranked at number eighteen in 2020. [31] This electric version was eventually released in 2005, on The Bootleg Series Vol. [116], A maioria das músicas do Highway 61 Revisited permaneceram importantes, em diferentes graus, para performances ao vivo de Dylan desde 1965. D. A. Pennebaker, diretor do documentário que filmou o músico em sua turnê acústica no Reino Unido em maio de 1965, disse: "Eu não sabia que ele ia deixar o acústico. / "We Better Talk This Over", "Union Sundown" / "Angel Flying too Close to the Ground", "I and I" / "Angel Flying too Close to the Ground", "When the Night Comes Falling from the Sky" / "Emotionally Yours", This page was last edited on 15 February 2021, at 23:30. [22] Kooper conseguiu assistir à sessão, e ele improvisou um riff de órgão que, segundo os críticos Greil Marcus e Mark Polizzotti, tornou-se um elemento crucial da gravação. "[48] "Like A Rolling Stone" reached number two in the Billboard Hot 100 in the summer of 1965,[49] and was a top-10 hit in Australia, Canada, the Netherlands, New Zealand, and the United Kingdom. [56] Critic Sean Egan writes that by slowing down the tempo, Dylan transformed the song from an "insufferably smart-alec number into a slow, tender, sensual anthem". Amazon; iTunes; track. [55] Tony Glover, who observed the recording session, has recalled that Dylan re-worked the song at the piano while the other musicians took a lunch break. 12. [30] "Tombstone Blues" and "It Takes a Lot to Laugh" were included in the final album, but "Positively 4th Street" was issued as a single-only release. [45][46] It has been suggested that Miss Lonely, the song's central character, is based on Edie Sedgwick, a socialite and actress in the Factory scene of pop artist Andy Warhol. [54] O crítico Sean Egan escreveu que ao retardar o ritmo, ele transformou a música num "insuportável número inteligente num processo lento, delicado, um hino sensual". Containing all the sorts of material he wanted to make and all the sounds he envisioned. [67] As Gill has pointed out, Abraham was the name of Dylan's father, which makes the singer the son whom God wants killed. Apesar de até o momento ter gravado a maior parte de suas músicas como acústicas, Dylan usou músicos de rock como sua banda de apoio em todas as faixas do álbum, com exceção para a canção de encerramento, a música épica e bíblica de 11 minutos "Desolation Row". [35][36] "Highway 61 Revisited", "Just Like Tom Thumb's Blues", "Queen Jane Approximately", and "Ballad of a Thin Man" were recorded successfully and masters were selected for the album. [64] "Queen Jane Approximately" foi lançada como o lado-B do single "One of Us Must Know (Sooner or Later)" no início de 1966. Out of Bob Dylan‘s entire discography, Highway 61 Revisited stands as the brightest example of his work. [67] Ele observa que o alcance da música é ampliado, tornando a rota uma estrada de infinitas possibilidades, povoada por personagens dúbios e culminando num promotor que "seriamente considera a encenação da Terceira Guerra Mundial na Rota 61". Ninguém entendia isso. Johnson. A Edição de Colecionador de 18 discos foi descrita incluindo "todas as notas gravadas durante as sessões entre 1965 e 1966, todas as letras alternativas e alternadas". It was my place in the universe, always felt like it was in my blood. Eu sabia que ele estava ficando um pouco arrastado por isso. later the same year.In 2004, Rolling Stone magazine ranked the song as number 373 in their 500 Greatest Songs of All Time. [9] He reduced this to a song with four verses and a chorus—"Like a Rolling Stone". "Like a Rolling Stone" foi um sucesso, apareceu entre as músicas mais tocadas em vários países e foi classificada em primeiro lugar na lista das 500 melhores canções de todos os tempos da Rolling Stone. [37][38][39], One final session was held on August 4, again at Studio A. 10: Another Self Portrait (1969–1971), The Other Side of the Mirror: Bob Dylan Live at the Newport Folk Festival 1963–1965, https://pt.wikipedia.org/w/index.php?title=Highway_61_Revisited&oldid=58991963, !Páginas com referências sem URL e com acessodata, !Páginas que usam referências com parâmetros obsoletas, !Artigos destacados na Wikipédia em inglês, !Caixas de informação sobre música com parâmetros obsoletos, Atribuição-CompartilhaIgual 3.0 Não Adaptada (CC BY-SA 3.0) da Creative Commons, 15 de junho - 4 de agosto de 1965 no Columbia Studios, Nova Iorque, Bob Dylan – Guitarra, gaita, piano, vocal. Ao longo do caminho, a estrada passa perto de locais de nascimento e casas de músicos influentes, como Muddy Waters, Son House, Elvis Presley e Charley Patton. [55] Gill aponta que as letras revelam o talento do cantor em pedir empréstimo de antigas músicas de blues, adaptando os versos "As nuvens não parecem solitárias brilhando através do mar? Can't speak comparatively with an original or a different reissue, but this one is definitely crystal clear without losing the snarl of Dylan's band. (, Dylan interviewed by Marvin Bronstein, CBC, Montreal, February 20, 1966. Genres: Folk Rock, Singer/Songwriter. The whole rock culture, the whole post-Beatle pop-rock world, and so in an important sense the 1960s started here. e, assim, satirizando um "compromisso político simplório". [25], Para criar o material para o disco, Dylan passou um mês escrevendo em seu novo lar na colônia de artistas em Byrdcliffe, Woodstock, Nova Iorque. highway 61 revisited moda i complements referencing Highway 61 Revisited, LP, Album, RP, JC 9189, 9189 Good sounding pressing. [71] The lyrics describe a nightmarish experience in Juarez, Mexico, where, in Shelton's words, "our anti-hero stumbles amid sickness, despair, whores and saints. [28][a 1], Their first session together was devoted to three songs. [69][84][a 2]. [34], Dylan conclui Highway 61 Revisited com a única exceção acústica de seu álbum de rock. "[2] In the opinion of PopMatters critic Hank Kalet, the album was the most "electrifying" rock and roll record ever and "one of a handful of albums (including the Beatles' Rubber Soul and Revolver) that gave literate rockers the green light to create a kind of intelligent, probing rock music that had not existed before". It was voted No. [123], Most of the songs on Highway 61 Revisited have remained important, in varying degrees, to Dylan's live performances since 1965. Leading with the hit song "Like a Rolling Stone", the album features songs that Dylan has continued to perform live over his long career, including "Ballad of a Thin Man" and the title track. "[110] Em 2003, a revista Rolling Stone descreveu Highway 61 como "um daqueles álbuns que mudaram tudo", e o classificou na quarta posição de sua lista dos "500 Maiores Álbuns de Todos os Tempos". Nesta ocasião estava presente Al Kooper, um jovem músico convidado por Wilson para assistir, mas ele queria tocar na sessão. [32], On July 30, Dylan and his band returned to Studio A and recorded three songs. ", Tradução literal do original: "Oh God said to Abraham, 'Kill me a son'/Abe says, 'Man, you must be puttin' me on'", No primeiro verso em inglês: "They’re selling postcards of the hanging", e no segundo verso: "The circus is in town. He's almost challenging me or you or whoever's looking at it: 'What are you gonna do about it, buster? [f][79] Polizzotti liga esta canção ao linchamento de três trabalhadores negros num circo em Duluth, Minnesota, que foi o local de nascimento do cantor, e descreve "Desolation Row" como uma canção de cowboy, "a 'Home on the Range' do território assustador que era a América em meados dos anos sessenta". A mais útil Opiniões Verificadas Paulo R. Publicada a 16 abr 2019 Bob Dylan no seu melhor. The skilled guitarists and demanding fans of that community inevitably raised the quality—if also the pretensions—of the music. Grammy Winner Dave Alvin Shares “Highway 61 Revisited” Dave Alvin Today, GRAMMY award-winning guitarist, singer, and songwriter Dave Alvin shares “Highway 61 Revisited,” a cover of the Bob Dylan classic and the second track unveiled from his first solo album in eleven years, From An Old Guitar: Rare and Unreleased Recordings , out November 20 on Yep Roc Records. In his memoir Chronicles: Volume One, Dylan described the kinship he felt with the route that supplied the title of his sixth album: "Highway 61, the main thoroughfare of the country blues, begins about where I began. "[101] The English poet Philip Larkin, reviewing the album for The Daily Telegraph, wrote that he found himself "well rewarded" by the record: "Dylan's cawing, derisive voice is probably well suited to his material ... and his guitar adapts itself to rock ('Highway 61') and ballad ('Queen Jane'). [43] In 2012, The Best 100 Albums of All Time book ranked Highway 61 Revisited as the greatest album of all time. Em sua autobiografia Chronicles: Volume One, Dylan descreveu a familiaridade que sentia com a rota que forneceu o título de seu sexto álbum: "a rota 61, a principal via do country blues, começa mais ou menos onde eu nasci. [101] Alcançou a posição de número três na tabela Billboard 200 de álbuns mais vendidos dos Estados Unidos,[48] e número quatro nas paradas britânicas de álbuns. Depois de gravar várias tomadas, cada uma de "Tombstone Blues", "It Takes a Lot to Laugh" e "Positively 4th Street", as mestre foram gravadas com sucesso. [16] Para a guitarra solo, o cantor convidou Michael Bloomfield da banda Paul Butterfield Blues Band. Gill has characterized "Desolation Row" as "an 11-minute epic of entropy, which takes the form of a Fellini-esque parade of grotesques and oddities featuring a huge cast of iconic characters". When he sang rock, he legitimized it in the folk community. [88] Ele usa uma camiseta de motocicleta da Triumph sob uma camisa de seda azul e roxa, segurando seus óculos Ray-Ban na mão direita. [71][74][75] Os músicos de apoio Bobby Gregg na bateria, Mike Bloomfield na guitarra, e os dois pianistas, Paul Griffin no honky-tonk e Al Kooper no Pianet, produziram um estado de espírito que, para Gill, complementa perfeitamente o "tom enervado" das letras. [60] Robert Shelton hears the song as "an earthy tribute to another funky earth-mother",[60] while for Heylin it is close to filler material; he argues that only through the musicians' performance is Dylan able to "convince us he is doing more than just listing the number of ways in which this 'graveyard woman' is both a lifesaver and a death-giver". "Like a Rolling Stone" foi gravada por artistas como os Rolling Stones, em seu álbum ao vivo Stripped,[117] David Bowie e Mick Ronson em Heaven and Hull,[118] Johnny Winter em Raisin' Cain,[119] e Jimi Hendrix no Festival Pop de Monterey. Each track on here has some captivating performances from Dylan with his iconic vocals (which sound the best in this album in my opinion) and his lyrics, this one contained some of his most cryptic. [4], O cantor afirmou que teve de superar uma resistência considerável da Columbia Records para dar o título do álbum. [34][35] "Highway 61 Revisited", "Just Like Tom Thumb's Blues", "Queen Jane Approximately" e "Ballad of a Thin Man" foram gravadas com sucesso e as sessões mestre foram selecionadas para o álbum. Toda a cultura rock, todo o mundo pop-rock pós-Beatles e, em um sentido importante, a década de 1960 começou aqui. Highway 61 Revisited é o sexto álbum de estúdio do cantor e compositor americano Bob Dylan, lançado pela Columbia Records em 30 de agosto de 1965. [18] The musicians began the session by recording a fast version of "It Takes a Lot to Laugh, It Takes a Train to Cry" and the song "Sitting on a Barbed Wire Fence", which was omitted from the album. This song can be seen as a warning about the dangers of living pointlessly, going along with the crowd, and not treating others appropriately. [89], Assim como tinha feito nos três álbuns anteriores, o músico contribuiu com sua própria escrita para a capa traseira de Highway 61 Revisited, com uma forma de prosa surrealista livre: "No trem lento o tempo não interfere e na passagem Árabe espera o Monte Branco, o homem do jornal e atrás dele os cem inevitáveis feitos da rocha sólida e da pedra. [79] In the penultimate verse, the passengers on the Titanic are shouting "Which Side Are You On? As sessões de gravação foram realizadas entre junho e agosto de 1965 no Studio A, em Nova Iorque, e contaram com a participação do organista Al Kooper, o guitarrista Mike Bloomfield e o pianista Paul Griffin. [50][51], The fast-paced, two-chord blues song "Tombstone Blues", driven by Michael Bloomfield's lead guitar, uses a parade of historical characters—outlaw Belle Starr, biblical temptress Delilah, Jack the Ripper (represented in this song as a successful businessman), John the Baptist (described here as a torturer), and blues singer Ma Rainey who Dylan humorously suggests shared a sleeping bag with composer Beethoven—to sketch an absurdist account of contemporary America. Highway 61 Revisited (Original Release) BUY. [9] Disse a Hentoff que escrever e gravar a canção lavou a sua insatisfação, e restaurou o seu entusiasmo em criar música. [89] Dylan wears a Triumph motorcycle T-shirt under a blue and purple silk shirt, holding his Ray-Ban sunglasses in his right hand. I find it quite easy (so far!) 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